How to adjust the reverberation time
Reverb usually determines the length of the reverberation and has a direct impact on the color and clarity of the sound. Under normal circumstances, when the bass is singing, the reverberation time can be shortened to improve the clarity of the sound; if it is a soprano, the reverberation time can be extended appropriately to increase the color of the sound. For the singing place, if the wall around the room is made of wood material, then the reverberation time should be reduced to avoid blurring the sound; otherwise, if the room is covered with sound-absorbing materials such as flannel curtains, such a room should Increase the reverb time by a bit to prevent the sound from drying up. In addition, the number of audiences and listeners also has a great impact, because the audience's clothing also has a great sound absorption. Therefore, the sound engineer and the tuner can choose a suitable reverberation time in 1~2 seconds.
How to adjust the proportion of direct and reverberant components
Fully direct sound without reverberant sound output can not improve and beautify the sound, so it is usually only used for meetings or readings. Appropriately increasing the proportion of the reverberant sound component is conducive to simulating the natural reverberation sound, making the sound full and pleasant, and increasing the stereoscopic feeling of the audience. Full reverberation without direct sound component output will cause the sound to “stain†and cause serious distortion, that is, it is as confusing as the sound heard in the bathroom and bathhouse, and the people in the line call it “bathroomâ€. effect". Therefore, in the absence of special requirements, the knob can be adjusted to the middle position, that is, the direct sound component and the reverberation sound component ratio is 1:1, so that the sound will not produce distortion, and there will be a certain reverberation effect. .
How to adjust the ratio between the microphone volume and the accompaniment music
A good song, should be accompaniment music accounted for 40%, singing voice accounted for 60%, if the singer sounds good, you can appropriately reduce the weight of some accompaniment music to highlight the singer's song; if the singer to this song The melody is not very familiar, it is easy to sing and go, not to shoot, in order to cover up these shortcomings, then you can appropriately increase the weight of some accompaniment music. However, in the specific operation, care should be taken not to over-adjust the microphone volume, and not to sing the volume much higher than the accompaniment music. The result is that the accompaniment sound is too weak. Most of the time, only the singer's voice is heard. It seems that a person is singing there and loses the atmosphere of karaoke. But the accompaniment sound is too strong, the sound is too strong, and it will be "submerged." "The singer's voice, it sounds like a band is playing a piece of music, and can't appreciate the singer's taste."
How to adjust the pitch of the accompaniment music
The accompaniment music is played according to the tone of the original singer. It can't adapt to the noise conditions of each singer. For example, some original singers have higher vocal range, and some original singers sing lower pitches. Let the accompaniment music take care of the noise characteristics of each singer, the sound engineer and the tuner should have a sensitive auditory response to the singer's voice characteristics. When singing, first put the tone control in the middle position, since it does not improve, it does not fall. At the beginning of the song, if the singer gets up, it doesn't have to be adjusted. On the contrary, if the singer feels that the bass zone can't sing, or the treble zone can't keep up, the tone can be adjusted to the singer's adaptation according to the actual situation. Sound zone.
Tuning is an artistically strong operation process. It requires the tuner to have a good sense of music and savvy. It is necessary to have a high level of musical cultivation, and to have a sensitive auditory response to the scene. Accepted by the audience.
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