When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
The first is to control the high voltage by weak current, adjust the output voltage, and control the intensity of the light. Because the brightness on the surface of the object is determined by the reflection ability of the surface and the intensity of the illumination. For the regulation of light intensity, under the assumption of the exclusion of the light color factor, by adjusting the relative brightness, the scene on the stage can be layered, the space can be extended, and the stage space can be flattened; or Representing an object to its original appearance or losing its original appearance reproduces other meanings. At the same time of modeling, it also brings a strong "style" feeling to the stage space form. Such as high-profile, low-key and intermediate tone of the overall feeling.
Second, the shadow is another factor that is highly expressive due to light. Light and shadow complement each other. The inner strength of the shadow is sometimes subtle and deep, sometimes confused and untenable. A strong contrast between the light on the theatrical stage and the main light in the direction of the incident can create a strong shadow. Under the thick shadows, you can fall into deep thought, as if there is a powerful force that takes you into the dramatic situation. Under the illumination of the scattered light, the shadows will become light and blurred, and the shadows will be difficult to capture.
Projection can be said to be a special shadow. When a shadow appears at a certain local position of an object, the shape of the object itself changes due to the difference between the darkness and the brightness of the shadow, that is, the shadow uses its own modeling power to "subtract" some of the object. Part of the shape, creating a fun form of change. When the shadow exists independently in the stage space, the shadow itself is an undisputed shape. In an empty stage, the actor is outside the framed stage space (that is, not in the viewer's line of sight), and only the shadow cast by the character in the picture (whether on the sky or on the film, there is a certain inclination to see the ground), This kind of picture, which is mainly composed of shadows, often produces unexpected visual impact.
When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
It is an irrefutable fact that color can express things. The grasp and application of color is personalized. But the color itself has certain rules. Colors have the characteristics of warmth and warmth, brightness, purity, etc., each of which has a strong expressiveness, which can form a complex contrast and harmonious relationship with each other. But the existence of color always depends on a certain shape, even the unseen morning fog, which may be due to the fact that color is always represented by light and matter. Therefore, colors and shapes always complement each other, they can expand each other's meanings, and can also distort the meaning of each other. The shape of the strong color will give us a surge of energy, perhaps because light is involved in the appearance of the color of the object.
On the stage of modern drama, the unification of light color and shape is dialectical. According to the needs of today's special plots, light color can be used to strengthen the shape, or light color and shape can be opposite each other, thereby embossing the inner feelings of the characters. But in general, the use of light color must conform to the plot and the general construction of the director's bead, and at the same time continue to improve their self-cultivation, thus making a breakthrough in the understanding and application of color.
Author: Dan Jingxin China when it comes to the color of the lights, light colors are produced by different wavelengths of light. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
The first is to control the high voltage by weak current, adjust the output voltage, and control the intensity of the light. Because the brightness on the surface of the object is determined by the reflection ability of the surface and the intensity of the illumination. For the regulation of light intensity, under the assumption of the exclusion of the light color factor, by adjusting the relative brightness, the scene on the stage can be layered, the space can be extended, and the stage space can be flattened; or Representing an object to its original appearance or losing its original appearance reproduces other meanings. At the same time of modeling, it also brings a strong "style" feeling to the stage space form. Such as high-profile, low-key and intermediate tone of the overall feeling.
Second, the shadow is another factor that is highly expressive due to light. Light and shadow complement each other. The inner strength of the shadow is sometimes subtle and deep, sometimes confused and untenable. A strong contrast between the light on the theatrical stage and the main light in the direction of the incident can create a strong shadow. Under the thick shadows, you can fall into deep thought, as if there is a powerful force that takes you into the dramatic situation. Under the illumination of the scattered light, the shadows will become light and blurred, and the shadows will be difficult to capture.
Projection can be said to be a special shadow. When a shadow appears at a certain local position of an object, the shape of the object itself changes due to the difference between the darkness and the brightness of the shadow, that is, the shadow uses its own modeling power to "subtract" some of the object. Part of the shape, creating a fun form of change. When the shadow exists independently in the stage space, the shadow itself is an undisputed shape. In an empty stage, the actor is outside the framed stage space (that is, not in the viewer's line of sight), and only the shadow cast by the character in the picture (whether on the sky or on the film, there is a certain inclination to see the ground), This kind of picture, which is mainly composed of shadows, often produces unexpected visual impact.
When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
It is an irrefutable fact that color can express things. The grasp and application of color is personalized. But the color itself has certain rules. Colors have the characteristics of warmth and warmth, brightness, purity, etc., each of which has a strong expressiveness, which can form a complex contrast and harmonious relationship with each other. But the existence of color always depends on a certain shape, even the unseen morning fog, which may be due to the fact that color is always represented by light and matter. Therefore, colors and shapes always complement each other, they can expand each other's meanings, and can also distort the meaning of each other. The shape of the strong color will give us a surge of energy, perhaps because light is involved in the appearance of the color of the object.
On the stage of modern drama, the unification of light color and shape is dialectical. According to the needs of today's special plots, light color can be used to strengthen the shape, or light color and shape can be opposite each other, thereby embossing the inner feelings of the characters. But in general, the use of light color must conform to the plot and the general construction of the director's bead, and at the same time continue to improve their self-cultivation, thus making a breakthrough in the understanding and application of color.
Author: Dan Jingxin China when it comes to the color of the lights, light colors are produced by different wavelengths of light. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
The first is to control the high voltage by weak current, adjust the output voltage, and control the intensity of the light. Because the brightness on the surface of the object is determined by the reflection ability of the surface and the intensity of the illumination. For the regulation of light intensity, under the assumption of the exclusion of the light color factor, by adjusting the relative brightness, the scene on the stage can be layered, the space can be extended, and the stage space can be flattened; or Representing an object to its original appearance or losing its original appearance reproduces other meanings. At the same time of modeling, it also brings a strong "style" feeling to the stage space form. Such as high-profile, low-key and intermediate tone of the overall feeling.
Second, the shadow is another factor that is highly expressive due to light. Light and shadow complement each other. The inner strength of the shadow is sometimes subtle and deep, sometimes confused and untenable. A strong contrast between the light on the theatrical stage and the main light in the direction of the incident can create a strong shadow. Under the thick shadows, you can fall into deep thought, as if there is a powerful force that takes you into the dramatic situation. Under the illumination of the scattered light, the shadows will become light and blurred, and the shadows will be difficult to capture.
Projection can be said to be a special shadow. When a shadow appears at a certain local position of an object, the shape of the object itself changes due to the difference between the darkness and the brightness of the shadow, that is, the shadow uses its own modeling power to "subtract" some of the object. Part of the shape, creating a fun form of change. When the shadow exists independently in the stage space, the shadow itself is an undisputed shape. In an empty stage, the actor is outside the framed stage space (that is, not in the viewer's line of sight), and only the shadow cast by the character in the picture (whether on the sky or on the film, there is a certain inclination to see the ground), This kind of picture, which is mainly composed of shadows, often produces unexpected visual impact.
When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
It is an irrefutable fact that color can express things. The grasp and application of color is personalized. But the color itself has certain rules. Colors have the characteristics of warmth and warmth, brightness, purity, etc., each of which has a strong expressiveness, which can form a complex contrast and harmonious relationship with each other. But the existence of color always depends on a certain shape, even the unseen morning fog, which may be due to the fact that color is always represented by light and matter. Therefore, colors and shapes always complement each other, they can expand each other's meanings, and can also distort the meaning of each other. The shape of the strong color will give us a surge of energy, perhaps because light is involved in the appearance of the color of the object.
On the stage of modern drama, the unification of light color and shape is dialectical. According to the needs of today's special plots, light color can be used to strengthen the shape, or light color and shape can be opposite each other, thereby embossing the inner feelings of the characters. But in general, the use of light color must conform to the plot and the general construction of the director's bead, and at the same time continue to improve their self-cultivation, thus making a breakthrough in the understanding and application of color.
Author: Dan Jingxin China
The first is to control the high voltage by weak current, adjust the output voltage, and control the intensity of the light. Because the brightness on the surface of the object is determined by the reflection ability of the surface and the intensity of the illumination. For the regulation of light intensity, under the assumption of the exclusion of the light color factor, by adjusting the relative brightness, the scene on the stage can be layered, the space can be extended, and the stage space can be flattened; or Representing an object to its original appearance or losing its original appearance reproduces other meanings. At the same time of modeling, it also brings a strong "style" feeling to the stage space form. Such as high-profile, low-key and intermediate tone of the overall feeling.
Second, the shadow is another factor that is highly expressive due to light. Light and shadow complement each other. The inner strength of the shadow is sometimes subtle and deep, sometimes confused and untenable. A strong contrast between the light on the theatrical stage and the main light in the direction of the incident can create a strong shadow. Under the thick shadows, you can fall into deep thought, as if there is a powerful force that takes you into the dramatic situation. Under the illumination of the scattered light, the shadows will become light and blurred, and the shadows will be difficult to capture.
Projection can be said to be a special shadow. When a shadow appears at a certain local position of an object, the shape of the object itself changes due to the difference between the darkness and the brightness of the shadow, that is, the shadow uses its own modeling power to "subtract" some of the object. Part of the shape, creating a fun form of change. When the shadow exists independently in the stage space, the shadow itself is an undisputed shape. In an empty stage, the actor is outside the framed stage space (that is, not in the viewer's line of sight), and only the shadow cast by the character in the picture (whether on the sky or on the film, there is a certain inclination to see the ground), This kind of picture, which is mainly composed of shadows, often produces unexpected visual impact.
When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
It is an irrefutable fact that color can express things. The grasp and application of color is personalized. But the color itself has certain rules. Colors have the characteristics of warmth and warmth, brightness, purity, etc., each of which has a strong expressiveness, which can form a complex contrast and harmonious relationship with each other. But the existence of color always depends on a certain shape, even the unseen morning fog, which may be due to the fact that color is always represented by light and matter. Therefore, colors and shapes always complement each other, they can expand each other's meanings, and can also distort the meaning of each other. The shape of the strong color will give us a surge of energy, perhaps because light is involved in the appearance of the color of the object.
On the stage of modern drama, the unification of light color and shape is dialectical. According to the needs of today's special plots, light color can be used to strengthen the shape, or light color and shape can be opposite each other, thereby embossing the inner feelings of the characters. But in general, the use of light color must conform to the plot and the general construction of the director's bead, and at the same time continue to improve their self-cultivation, thus making a breakthrough in the understanding and application of color.
Author: Dan Jingxin China when it comes to the color of the lights, light colors are produced by different wavelengths of light. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
The first is to control the high voltage by weak current, adjust the output voltage, and control the intensity of the light. Because the brightness on the surface of the object is determined by the reflection ability of the surface and the intensity of the illumination. For the regulation of light intensity, under the assumption of the exclusion of the light color factor, by adjusting the relative brightness, the scene on the stage can be layered, the space can be extended, and the stage space can be flattened; or Representing an object to its original appearance or losing its original appearance reproduces other meanings. At the same time of modeling, it also brings a strong "style" feeling to the stage space form. Such as high-profile, low-key and intermediate tone of the overall feeling.
Second, the shadow is another factor that is highly expressive due to light. Light and shadow complement each other. The inner strength of the shadow is sometimes subtle and deep, sometimes confused and untenable. A strong contrast between the light on the theatrical stage and the main light in the direction of the incident can create a strong shadow. Under the thick shadows, you can fall into deep thought, as if there is a powerful force that takes you into the dramatic situation. Under the illumination of the scattered light, the shadows will become light and blurred, and the shadows will be difficult to capture.
Projection can be said to be a special shadow. When a shadow appears at a certain local position of an object, the shape of the object itself changes due to the difference between the darkness and the brightness of the shadow, that is, the shadow uses its own modeling power to "subtract" some of the object. Part of the shape, creating a fun form of change. When the shadow exists independently in the stage space, the shadow itself is an undisputed shape. In an empty stage, the actor is outside the framed stage space (that is, not in the viewer's line of sight), and only the shadow cast by the character in the picture (whether on the sky or on the film, there is a certain inclination to see the ground), This kind of picture, which is mainly composed of shadows, often produces unexpected visual impact.
When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
It is an irrefutable fact that color can express things. The grasp and application of color is personalized. But the color itself has certain rules. Colors have the characteristics of warmth and warmth, brightness, purity, etc., each of which has a strong expressiveness, which can form a complex contrast and harmonious relationship with each other. But the existence of color always depends on a certain shape, even the unseen morning fog, which may be due to the fact that color is always represented by light and matter. Therefore, colors and shapes always complement each other, they can expand each other's meanings, and can also distort the meaning of each other. The shape of the strong color will give us a surge of energy, perhaps because light is involved in the appearance of the color of the object.
On the stage of modern drama, the unification of light color and shape is dialectical. According to the needs of today's special plots, light color can be used to strengthen the shape, or light color and shape can be opposite each other, thereby embossing the inner feelings of the characters. But in general, the use of light color must conform to the plot and the general construction of the director's bead, and at the same time continue to improve their self-cultivation, thus making a breakthrough in the understanding and application of color.
Author: Dan Jingxin China when it comes to the color of the lights, light colors are produced by different wavelengths of light. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
The first is to control the high voltage by weak current, adjust the output voltage, and control the intensity of the light. Because the brightness on the surface of the object is determined by the reflection ability of the surface and the intensity of the illumination. For the regulation of light intensity, under the assumption of the exclusion of the light color factor, by adjusting the relative brightness, the scene on the stage can be layered, the space can be extended, and the stage space can be flattened; or Representing an object to its original appearance or losing its original appearance reproduces other meanings. At the same time of modeling, it also brings a strong "style" feeling to the stage space form. Such as high-profile, low-key and intermediate tone of the overall feeling.
Second, the shadow is another factor that is highly expressive due to light. Light and shadow complement each other. The inner strength of the shadow is sometimes subtle and deep, sometimes confused and untenable. A strong contrast between the light on the theatrical stage and the main light in the direction of the incident can create a strong shadow. Under the thick shadows, you can fall into deep thought, as if there is a powerful force that takes you into the dramatic situation. Under the illumination of the scattered light, the shadows will become light and blurred, and the shadows will be difficult to capture.
Projection can be said to be a special shadow. When a shadow appears at a certain local position of an object, the shape of the object itself changes due to the difference between the darkness and the brightness of the shadow, that is, the shadow uses its own modeling power to "subtract" some of the object. Part of the shape, creating a fun form of change. When the shadow exists independently in the stage space, the shadow itself is an undisputed shape. In an empty stage, the actor is outside the framed stage space (that is, not in the viewer's line of sight), and only the shadow cast by the character in the picture (whether on the sky or on the film, there is a certain inclination to see the ground), This kind of picture, which is mainly composed of shadows, often produces unexpected visual impact.
When it comes to the color of the light, the light color is produced by light of different wavelengths. The color that the object presents depends on the absorption and reflection of light by the surface of the object. The light color calculation on the stage respects the "addition" rule, which is different from the "subtraction" rule of painting materials. Everything on the stage will eventually face the eyes of the audience. Therefore, the acceptance and understanding of color varies from person to person. In addition, the difference between these factors of the creator will also lead to the difference in color selection in the creation, so from these perspectives, the color is confusing.
It is an irrefutable fact that color can express things. The grasp and application of color is personalized. But the color itself has certain rules. Colors have the characteristics of warmth and warmth, brightness, purity, etc., each of which has a strong expressiveness, which can form a complex contrast and harmonious relationship with each other. But the existence of color always depends on a certain shape, even the unseen morning fog, which may be due to the fact that color is always represented by light and matter. Therefore, colors and shapes always complement each other, they can expand each other's meanings, and can also distort the meaning of each other. The shape of the strong color will give us a surge of energy, perhaps because light is involved in the appearance of the color of the object.
On the stage of modern drama, the unification of light color and shape is dialectical. According to the needs of today's special plots, light color can be used to strengthen the shape, or light color and shape can be opposite each other, thereby embossing the inner feelings of the characters. But in general, the use of light color must conform to the plot and the general construction of the director's bead, and at the same time continue to improve their self-cultivation, thus making a breakthrough in the understanding and application of color.
Author: Dan Jingxin China
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